I always wanted to play my Harmonium with my two hands so a few weeks earlier an idea very spontaniously came down that if I could install my spare 8000 rpm cpu fan at the back of my harmonium I could play it with both
my hands without having to vello it.
Wrapping this up mix or whatever you may call this, another unreleased track called 'Forgotten Waters' it was composed only using the harmonium and running the cpu through very high resitance wires and will be out via another compilation on Swiss noise label Czarnagora I don't know how
it's pronouced pardon my language.
Hadi Bastani is a sound artist, anthropologist, and composer. Spanning spatial composition, live performance, and installation art, his creative outputs have been represented through international festivals, residencies, radio broadcasts, podcasts, and workshops, including Klangteppich (Berlin), Sonorities (Belfast), TADAEX (Tehran), the BBC, Resonance FM, and Deutschlandfunk Kultur. His scholarship and creative practice engage with combined affordances of ethnography and practice-led research in sound to explore, examine, and articulate socio-technological, spatio-material, and affective assemblages that underpin different people’s sonic experiences and expressions,
in the broadest sense to include musicking processes, focusing
on the post-revolutionary-Iran. His investigation of contemporary Iranian experimental electronic music practice (2015-2019) has formed the first comprehensive research
on the subject and culminated in a book that will be published through Routledge in 2024.
Sennheiser MKH 418-S mics
Hadi Bastani is a sound artist, anthropologist, and composer. Spanning spatial composition, live performance, and installation art, his creative outputs have been represented through international festivals, residencies, radio broadcasts, podcasts, and workshops, including Klangteppich (Berlin), Sonorities (Belfast), TADAEX (Tehran), the BBC, Resonance FM, and Deutschlandfunk Kultur. His scholarship and creative practice engage with combined affordances of ethnography and practice-led research in sound to explore, examine, and articulate socio-technological, spatio-material, and affective assemblages that underpin different people’s sonic experiences and expressions, in the broadest sense to include musicking processes, focusing on the post-revolutionary-Iran.
His investigation of contemporary Iranian experimental electronic music practice (2015-2019) has formed the first comprehensive research on the subject and culminated in a book that will be published through Routledge in 2024.
Sennheiser MKH 418-S mics
Sennheiser MKH 418-S mics
EXTRA-GENRE COMMUNITY RADIO «FANTASIA» ORIGINATED BY TYPOGRAPHY CENTER WORKERS IS TO CREATE A PLATFORM TO SPEAK OPENLY ABOUT ACTUAL PROBLEMS OF THE WORLD SOCIETY AND ARCHIVE MATERIALS COLLECTED BY ARTISTS, CURATORS, JOURNALISTS, ART AND SOCIAL THEORISTS, SONIC RESEARCHERS AND SOUND POETS.
WE CREATE AN IMPULSE AND HOPE THAT IT WILL FIND AN OUTLET IN DIFFERENT POINTS OF REALITY, WE WANT TO COME TOGETHER WITH THOSE CULTURAL WORKERS THAT CONTINUE TO WORK IN DIFFICULT SITUATIONS ALL AROUND THE WORLD.
WE ALSO CONSIDER IT IMPORTANT TO FIGHT IN VARIOUS FORMS. THERE ARE DIFFERENT WAYS OF CIVIL RESISTANCE, SPREADING INFORMATION ABOUT WARS, CONFLICTS, DISCRIMINATION AND A CLEAR AND UNAMBIGUOUS EXPRESSION OF THE POSITIONS.